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Showing posts with label Desiging. Show all posts
Showing posts with label Desiging. Show all posts

Saturday, July 25, 2009

Photoshop CS3 Bible

Photoshop CS3 Bible

Photoshop CS3 Bible

Product Description
Get the book you need to succeed in any Photoshop endeavor — Photoshop CS3 Bible. In this totally updated edition to the international bestseller, the authors show you how to master every aspect of Photoshop — from image-editing basics to new techniques for working with camera raw images. You’ll learn how to retouch, color correct, manipulate, and combine images using Photoshop. You’ll discover how to create cutting-edge special effects for digital or film-based images, and use them on the Web or in print. And you’ll find out how to use the File Browser, histogram palette, Lens Blur, Match Color, the color replacement tool, customizable keyboard shortcuts, and more. The authors’ easy and approachable writing style demystifies even the most complex Photoshop tasks. Order today and master Photoshop CS3.

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InDesign CS4 Bible

InDesign CS4 Bible

InDesign CS4 Bible

Product Description
The soup-to-nuts guide on everything InDesign users need to know about the much-anticipated CS4 release!

  • Packed with more than one thousand pages of real-world insight and valuable guidance, this authoritative resource describes the power and potential of InDesign—whose popularity as a page-layout program is growing stronger and gaining new converts every day
  • No matter what your skill level, you will get everything you need to know in order to make the most of this software and take advantage of InDesign CS4’s innovative architecture, functionality, and many ingenious features

  • Learn how to edit Photoshop, Illustrator, and PDF files from within InDesign; export documents in HTML for publication on CD-ROM or the Web; tap the power of multiple layers and master pages; optimize InDesign for efficient project workflow; take advantage of dynamic spell-checking; and more

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Friday, February 6, 2009

New Webmaster's Guide to Dreamweaver 4: The Seven Steps for Designing, Building, and Managing Dreamweaver 4 Web Sites


Jason Gerend, Stephen L. Nelson "New Webmaster's Guide to Dreamweaver 4: The Seven Steps for Designing, Building, and Managing Dreamweaver 4 Web Sites"
Publisher: Independent Publishers Group 2001 | 320 Pages | ISBN: 1931150052 | PDF | 4.8 MB

Designed specifically for busy professionals, this guide to Dreamweaver 4 breaks down the work of designing, building, and managing a Web site into seven distinct and fast-paced steps. Background information on the Internet, the Web, and different approaches to Web publishing is provided, as is a detailed discussion of the foundational work-such as registering for a domain and finding and setting up a Web hosting service-that needs to be done before the process of building a site begins. Further steps investigate collecting and organizing site content; setting up an initial structure; creating pages by combining text, images, and hyperlinks; refining and polishing pages; and testing, deploying, and marketing the site.

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Thursday, November 20, 2008

Real World Adobe Illustrator CS3 (Real World)

Real World Adobe Illustrator CS3 (Real World)

Real World Adobe Illustrator CS3 (Real World)
584 pages | Publisher: Peachpit Press; 2nd edition (August 5, 2007) | English | ISBN: 0321496213| PDF | 38 MB

Product Description
Real World Adobe Illustrator CS3 is the definitive reference to Adobe's industry-standard vector graphics software. With an easy, engaging style, author Mordy Golding takes readers through all of the features of the program, explaining not only how to use the multitude of features but also why and when to use them. This edition has been thoroughly updated for Illustrator CS3, including insightful techniques on using the new Live Color environment and its tools, a new Isolation mode for working on complex artwork, and new tools for drawing, erasing, modifying, and cropping graphic. New integration features with Flash CS3 are also covered in depth; for example, readers learn how symbols can be defined as movie clips for use in Flash. Now that Illustrator and Flash are both part of several bundled offerings of the Creative Suite, this coverage is a key part of the entire uninterrupted workflow from initial concept to final execution.

Along with tips, sidebars, and expert commentary, there are also numerous illustrations and screen shots included to offer readers the most complete coverage on this extraordinary application. Designers from all fields--illustrators, animators, package designers, graphic designers, web designers, and more--will find Real World Adobe Illustrator CS3 their one-stop guide to creating powerful designs in Illustrator

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Monday, October 13, 2008

Advanced FPGA Design: Architecture, Implementation, and Optimization


Description

This book provides the advanced issues of FPGA design as the underlying theme of the work. In practice, an engineer typically needs to be mentored for several years before these principles are appropriately utilized. The topics that will be discussed in this book are essential to designing FPGA's beyond moderate complexity. The goal of the book is to present practical design techniques that are otherwise only available through mentorship and real-world experience.

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Sunday, October 12, 2008

Photoshop CS3 for Screen Printers


Photoshop CS3 for Screen Printers details the features of Photoshop CS3 and is geared toward print facilities,
mainly screen printers and similar types of graphic artists. Features important to these industries include creating a personalized interface, acquiring images from clients’ disks, acquiring images by scanning existing artwork,importing and exporting images, and creating new images. Color separations also play a big role in these industries, as does printing on specialty films and papers. The Photoshop interface is also discussed, including the toolbox,the palettes, the menu and options bars, and the Adobe Bridge. Additionally, the finer points of printing are detailed, including adding and using crop marks, registration marks, and captions, and producing four-color separations.

Introducing 3ds Max 9 – 3D for Beginners

Introducing 3ds Max 9 – 3D for Beginners
PDF | 555 Pages | 11 MB

Video game and feature-film artists have used 3ds Max to create Halo 2, King Kong, Myst V, and more.
Now you can harness this popular animation software with the clear, step-by-step instruction in this easy-to-follow guide.

Introducing 3ds Max 9: 3D for Beginners' breaks down the complexities of 3D modelling, texturing, animating, and visual effects.
You'll jump right into the pipeline- from preproduction to production to postproduction- with clear-cut explanations, tutorials, and hands-on projects to build your skills. A special color insert includes real-world examples from talented 3ds Max beginners. From immediately creating your first animation to tackling poly modelling, rendering, and particles, you'll get a solid grounding in 3ds Max 9.

Build the knowledge you need for game, film, and TV production
Master modeling- from simple and complex polygon mechanical models to organic character modeling
Assign textures effects and UV texture mapping
Create walk cycles and simple character animations with Character Studio
Explore lighting, rendering, and raytracing concepts
Render through mental ray and raytracing
Discover simple rigid body dynamics and Max's particle systems

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Tuesday, October 7, 2008

Becoming a Graphic Designer

Becoming a Graphic Designer: A Guide to Careers in Design
By Steven Heller, Teresa Fernandes
PDF English 368 Pag 2005 Nov 11 61,4 Mb RS

Becoming a Graphic Designer provides a comprehensive survey of the graphic design market, including complete coverage of print and electronic media and the evolving digital design disciplines that offer today's most sought-after jobs. Featuring 65 interviews with today's leading designers, this visual guide has more than 600 illustrations and covers everything from education and training, design specialties, and work settings to preparing an effective portfolio and finding a job. The book offers profiles of major industries and key design disciplines, including all-new coverage of careers in exhibition design and illustration.

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Thursday, October 2, 2008

Introduction to AutoCAD 2008 Book Free Download

Preface
The purpose of writing this book is to produce a text suitable for those in Further and/or Higher Education who are required to learn how to use the CAD software package AutoCAD® 2008. Students taking examinations based on computer-aided design will find the contents of the book of great assistance. The book is also suitable for those in industry who wish to learn how to construct technical drawings with the aid of AutoCAD 2008 and those who, having used previous releases of AutoCAD, wish to update their skills in the use of AutoCAD.

The chapters dealing with two-dimensional (2D) drawing will also be suitable for those who wish to learn how to use AutoCAD LT 2008, the 2D version of this latest release of AutoCAD.

Many readers using AutoCAD 2002, 2004, 2005, 2006 or 2007 will find the book’s contents largely suitable for use with those versions of AutoCAD, although AutoCAD 2008 has enhancements over AutoCAD 2002, 2004, 2005, 2006 and 2007 (see Chapter 21).

The contents of the book are basically a graded course of work, consisting of chapters giving explanations and examples of methods of constructions, followed by exercises which allow the reader to practise what has been learned in each chapter. The first 12 chapters are concerned with constructing technical drawings in 2D. These are followed by chapters detailing the construction of three-dimensional (3D) solid drawings and rendering. The two final chapters describe the Internet tools of AutoCAD 2008 and the place of AutoCAD in the design process. The book finishes with three appendices: printing and plotting; a list of tools with their abbreviations; a list of some of the set variables upon which AutoCAD 2008 is based.

AutoCAD 2008 is very complex computer-aided design (CAD) software package. A book of this size cannot possibly cover the complexities of all the methods for constructing 2D and 3D drawings available when working with AutoCAD 2008. However, it is hoped that by the time the reader has worked through the contents of the book, they will be sufficiently skilled with the methods of producing drawing with the software, will be able to go on to more advanced constructions with its use, and will have gained an interest in the more advanced possibilities available when using AutoCAD.

Alf Yarwood
Salisbury 2007

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Mastering AutoCAD 2008 & AutoCAD LT 2008 Book Free Download

Introduction
Welcome to Mastering AutoCAD 2008 and AutoCAD LT 2008. As many readers have already discovered, this book is a unique blend of tutorial and reference that includes everything you need to get started and stay ahead with AutoCAD. With this edition, you get coverage of the latest features of both AutoCAD 2008 and AutoCAD LT 2008, plus the latest information on new features.

How to Use This Book
Rather than just showing you how each command works, this book shows you AutoCAD 2008 in the context of a meaningful activity. You’ll learn how to use commands while working on an actual project and progressing toward a goal. This book also provides a foundation on which you can build your own methods for using AutoCAD and become an AutoCAD expert. For this reason, I haven’t covered every single command or every permutation of a command response. You should think of this book as a way to get a detailed look at AutoCAD as it’s used on a real project. As you follow the exercises, I encourage you to also explore AutoCAD on your own, applying the techniques you learn to your own work.

Both experienced and beginning AutoCAD users will find this book useful. If you aren’t an experienced user, the way to get the most out of this book is to approach it as a tutorial—chapter by chapter, at least for the first two parts of the book. You’ll find that each chapter builds on the skills and information you learned in the previous one. To help you navigate, the exercises are shown in numbered steps. To address the needs of all readers worldwide, the exercises provide both U.S. (feet/inches) and metric measurements.
After you’ve mastered the material in Parts 1 and 2, you can follow your interests and explore other parts of the book in whatever order you choose. Part 3 takes you to a more advanced skill level. There, you’ll learn more about storing and sharing drawing data and how to create more complex drawings. If you’re interested in 3D, check out Part 4. If you want to start customizing right away, go to Part 5. You can check out Chapters 27 and 28 at any time because they give you general information about sharing AutoCAD files with your coworkers and consultants. Chapter 28 focuses on AutoCAD’s Sheet Set Manager, which offers a way to organize your multisheet projects.

You can also use this book as a ready reference for your day-to-day problems and questions about commands. Optional exercises at the end of each chapter will help you review and look at different ways to apply the information you’ve learned. Experienced users will also find this book a handy reference tool.
Finally, if you run into problems using AutoCAD, see the “When Things Go Wrong” section in Appendix B. You’ll find a list of the most common issues that users face when first learning AutoCAD.
AutoCAD 2008 and AutoCAD LT 2008

Autodesk has released both AutoCAD 2008 and AutoCAD LT 2008 simultaneously. Not surprisingly, they’re nearly identical in the way they look and work. You can share files between the two programs with complete confidence that you won’t lose data or corrupt files. The main differences are that LT doesn’t support all the 3D functions of AutoCAD 2008, nor does it support the customization tools of AutoLISP and VBA. But LT still has plenty to offer in both the productivity and customization areas. And because they’re so similar, I can present material for both programs with only minor adjustments.
When a feature is discussed that is available only in AutoCAD 2008, you’ll see the AutoCAD Only icon.

You’ll also see warning messages when tutorials vary between AutoCAD 2008 and LT. If only minor differences occur, you’ll see either a warning message or directions embedded in the tutorial indicating the differences between the two programs.
In the few instances in which LT has a feature that isn’t available in AutoCAD 2008, you’ll see the LT Only icon.

I’ve also provided work-around instructions wherever possible when LT doesn’t offer a feature found in AutoCAD 2008.

Getting Information Fast
I’ve included plenty of tips and warnings: TIP Tips are designed to make practice easier.
WARNING Warnings steer you away from pitfalls.

Also, in each chapter you’ll find more extensive tips and discussions in the form of sidebars set off from the main text. To encourage you along the way, some of the sidebars show you how topics in each chapter were applied to a real-world project, the San Francisco Main Library. Together, the tips, warnings, and sidebars provide a wealth of information I have gathered over years of using AutoCAD on a variety of projects in different office environments. You may want to browse through the book, just reading these notes, to get an idea of how they might be useful to you.

Another quick reference you’ll find yourself turning to often is Appendix C, which contains descriptions of all the dimension settings with comments on their uses. If you experience any problems, you can consult the “When Things Go Wrong” section in Appendix B.

What to Expect
Mastering AutoCAD 2008 and AutoCAD LT 2008 is divided into five parts, each representing a milestone in your progress toward becoming an expert AutoCAD user. Here is a description of those parts and what they will show you.

Part 1: The Basics

As with any major endeavor, you must begin by tackling small, manageable tasks. In this first part, you’ll become familiar with the way AutoCAD looks and feels. Chapter 1, “Exploring the AutoCAD and AutoCAD LT Interface,” shows you how to get around in AutoCAD. In Chapter 2, “Creating Your First Drawing,” you’ll learn how to start and exit the program and how to respond to AutoCAD commands. Chapter 3, “Setting Up and Using AutoCAD’s Drafting Tools,” tells you how to set up a work area, edit objects, and lay out a drawing. In Chapter 4, “Organizing Objects with Blocks and Groups,” you’ll explore some tools unique to CAD: symbols, blocks, and layers. As you’re introduced to AutoCAD, you’ll also get a chance to make some drawings that you can use later in the book and perhaps even in future projects of your own. Chapter 5, “Keeping Track of Layers, Blocks, and Files” shows you how to use layers to keep similar information together and object properties such as line-types to organize things visually.
Part 2: Mastering Intermediate Skills

After you have the basics down, you’ll begin to explore some of AutoCAD’s more subtle qualities. Chapter 6, “Editing and Reusing Data to Work Efficiently” tells you how to reuse drawing setup information and parts of an existing drawing. In Chapter 7, “Mastering Viewing Tools, Hatches, and External References,” you’ll learn how to use viewing tools and hatches and how to assemble and edit a large drawing file. Chapter 8, “Introducing Printing, Plotting, and Layouts,” shows you how to get your drawing onto hard copy. Chapter 9, “Understanding Plot Styles,” discusses methods for controlling lineweights and shading in your printer output. Chapter 10, “Adding Text to Drawings,” tells you how to annotate your drawing and edit your notes. Chapter 11, “Using Fields and Tables,” shows you how to add spreadsheet functionality to your drawings. Chapter 12, “Using Dimensions,” gives you practice in using automatic dimensioning (another unique CAD capability).
Part 3: Mastering Advanced Skills

At this point, you’ll be on the verge of becoming a real AutoCAD expert. Part 3 is designed to help you polish your existing skills and give you a few new ones. Chapter 13, “Using Attributes,” tells you how to attach information to drawing objects and how to export that information to database and spreadsheet files. In Chapter 14, “Copying Pre-existing Drawings into AutoCAD,” you’ll learn techniques for transferring paper drawings to AutoCAD. In Chapter 15, “Advanced Editing and Organizing,” you’ll complete the apartment building tutorial. During this process you’ll learn how to integrate what you’ve learned so far and gain some tips on working in groups. Chapter 16, “Laying Out Your Printer Output,” shows you the tools that let you display your drawing in an organized fashion. Chapter 17, “Using Dynamic Blocks,” shows you how you can create blocks that can be edited with grips without having to redefine them. Chapter 18, “Drawing Curves and Solid Fills,” gives you an in-depth look at some special drawing objects, such as splines and fitted curves. In Chapter 19, “Getting and Exchanging Data from Drawings,” you’ll practice getting information about a drawing and learn how AutoCAD can interact with other applications, such as spreadsheets and desktop-publishing programs. You’ll also learn how to copy and paste data.

Part 4: 3D Modeling and Imaging

Although 2D drafting is AutoCAD’s workhorse application, AutoCAD’s 3D capabilities give you a chance to expand your ideas and look at them in a new light. Chapter 20, “Creating 3D Drawings,” covers AutoCAD’s basic features for creating three-dimensional drawings. Chapter 21, “Using Advanced 3D Features,” introduces you to some of the program’s more powerful 3D capabilities. Chapter 22, “Rendering 3D Drawings,” shows how you can use AutoCAD to produce lifelike views of your 3D drawings. Chapter 23, “Editing and Visualizing 3D Solids,” takes a closer look at 3D solids and how they can be created, edited, and displayed in AutoCAD 2008.
Part 5: Customization and Integration

One of AutoCAD’s greatest strengths is its openness to customization. Chapter 24, “Using the Express Tools,” gives you a gentle introduction to the world of AutoCAD customization. You’ll learn how to load and use existing Express tools that expand AutoCAD’s functionality, and you’ll be introduced to AutoLISP as a tool to create macros. Chapter 25, “Introducing AutoLISP,” is a primer to AutoCAD’s popular macro language. You’ll learn how you can create custom commands built on existing ones and how you can retrieve and store locations and other data. Chapter 26, “Customizing Toolbars, Menus, Linetypes, and Hatch Patterns,” shows you how to customize menus, toolbars, linetypes, and hatch patterns. Chapter 27, “Managing and Sharing Your Drawings,” shows you how to adapt AutoCAD to your own work style. You’ll learn about the tools that help you exchange drawings with others and how to

secure your drawings to prevent tampering. Chapter 28, “Keeping a Project Organized with Sheet Sets,” shows you how to use the new Sheet Set Manager to simplify your file management. By using the Sheet Set Manager, you can automate some of the more tedious drawing coordination tasks.

The Appendices

Finally, this book has three appendices. Appendix A, “Installing and Setting Up AutoCAD,” contains an installation and configuration tutorial. If AutoCAD isn’t already installed on your system, follow the steps in this tutorial before starting Chapter 1. Appendix B, “Hardware and Software Tips,” provides information about hardware related to AutoCAD. It also provides tips on improving AutoCAD’s performance and troubleshooting and provides more detailed information on setting up AutoCAD’s plotting feature. Appendix C, “System Variables and Dimension Styles,” provides a reference to dimension style settings.


The Minimum System Requirements
This book assumes you have an IBM-compatible computer with at least a Pentium IV or equivalent CPU. Your computer should have at least one CD drive and a hard disk with 2GB or more of free space for the AutoCAD program files and about 120MB of additional space for sample files and workspace. In addition to these requirements, you should have enough free disk space to allow for a Windows virtual memory page file that is about 1.5 times the amount of installed RAM. Consult your Windows manual or Appendix B of this book for more on virtual memory.

AutoCAD 2008 runs best on systems with at least 2GB or more of RAM, although you can get by with 512MB. Your computer should also have a high-resolution monitor and an up-to-date display card. An SVGA display with a resolution of 1024 × 768 or greater will work fine with AutoCAD, but if you want to take full advantage of AutoCAD’s new 3D features, you should have a 128MB or greater, OpenGL -capable, workstation-class graphics card. If you intend to use a digitizer tablet, you’ll need one free USB, or serial, port available. I also assume you’re using a mouse and have the use of a printer or a plotter. A CD or DVD reader is needed to install AutoCAD and the software from this book. Finally, you’ll need an Internet connection to take full advantage of the support offerings from Autodesk.

If you want a more detailed explanation of hardware options with AutoCAD, see Appendix B. You’ll find a general description of the available hardware options and their significance to AutoCAD.

TIP If you don’t have AutoCAD, you can download a trial version from the Autodesk website. Go to the Autodesk home page, and follow the links to AutoCAD. The trial download is approximately 1.8GB, so be prepared to wait a while to complete the download. Also be aware that the trial is good for only 30 days—don’t start to use it until you’re certain you’ll have plenty of free time to practice using AutoCAD.

Doing Things in Style
Much care has been taken to see that the stylistic conventions in this book—the use of uppercase or lowercase letters, italic or boldface type, and so on—are the ones most likely to help you learn AutoCAD. On the whole, their effect should be subliminal. However, you may find it useful to be conscious of the following rules:

♦ Drop-down menu selections are shown by a series of options separated by the > symbol (for example, choose File > New).

♦ Keyboard entries are shown in boldface (for example, enter Rotate).

♦ Command-line prompts are shown in a monospaced font (for example, Select objects:).

For most functions, this book describes how to select options from toolbars and the menu bar. In addition, where applicable, I include related keyboard shortcuts and command names in parentheses. These command names provide continuity for readers accustomed to working at the Command prompt.

New Features of AutoCAD 2008
AutoCAD has a fresh new look and several new features that will help make your work easier and faster. If you’ve used AutoCAD before, you’ll notice that the look has changed. Dig a little deeper, and you’ll find that some new features have been added to simplify your work so you don’t have to keep track of so many details. Here are some of the new features you’ll be covering in this book:

♦ New Dashboard interface that puts most of the tools you need in a single panel

♦ Annotation scale that simplifies the scale of text and other graphics to fit the scale of your drawing

♦ New Daylight lighting feature to create more realistic outdoor renderings of your 3D models

♦ Better links between AutoCAD tables and external spreadsheets

♦ Improved text-editing tools and features

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Saturday, September 20, 2008

The Adobe Photoshop Layers Book

The Adobe Photoshop Layers Book: Harnessing Photoshop's Most Powerful
Tool, covers Photoshop CS3
July 30, 2007 | 284pag | PDF | 30 Mb | RS & FB

As a "collectionner" of the best Photoshop books on the market I must recommend this excellent book from Richard Lynch to all the digital photographers among us.Other reviewers explained the content of the book in detail so I won't do the same,I can only agree their comments!
This book is not for beginners, but if you want to understand how "digital photography" sees the real world and how a camera or a scanner tranlate all what you see in the digital format then this book is for you.
Lynch is a real PRO and takes the patience to explain ALL the hidden secrets behind this tremendous Adobe's software.
This is a cheap investment for YEARS believe me; you'll learn on your own pace the multiple facets of "seeing images" like a photographer and by following the exercises and explanations of the 11 chapters (take your time to re-read from time to time and practice,practice…)you NEVER take photos the same way you did before!
The greatest bonus is the companion cd with all the hidden tools(above 100 and the images used in the book).
Richard Lynch has given us an enormous homework to do but it's worth more than any training course that costs you a hundred of bucks!
Terrific,awesome,well explained,I can't find words enough to recommend this book.

* Leverage layer power to correct and enhance color, fix problems in composition, repair damage or flaws, and isolate image areas for changes, adjustments and experimental concepts
* Incorporate layers in a workflow that extracts the maximum from your camera, exploits the potential in every image and helps you organize your perceptions and ideas according to your unique vision
* Recombine layers to form new images in a nondestructive process that preserves both the original image and intermediate layers for further editing - or tomorrow's inspirations

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Friday, September 19, 2008

How To Cheat In Photoshop Elements 6 Book Free Download

Free EBOOK Details
Publisher Focal Press
Release Date December 17, 2007
ISBN 0240520831

Book Description
Full of quirky tips and tricks for fun and creative image manipulation in Elements!

Product Description
How to Cheat in Elements 6 is an invaluable resource for all users of Photoshop Elements and shows you how to 'cheat' by sharing insider secrets from clever and cunning Elements gurus, David Asch and series forerunner, Steve Caplin.

Compatible with previous releases of Elements, this is jam packed with dazzling tips and tricks, unearthed secrets, and creative techniques that challenge and inspire.

Work through each section to build up your Photoshop Elements skills, creating everything from basic layer and masking effects right up to advanced manipulation. Or just dip right into a project to learn a new technique:
* turn day into night
* add snow, shadows and water to your scenes
* make fire and smoke
* give your car a respray
...if you can imagine it, we can show you how to do it in Photoshop Elements!

A full glossary of terms, useful keyboard shortcuts, and a detailed index will help you locate that fantastic technique in a flash. Follow the QuickTime movie tutorials on the CD, and use the high resolution royalty free images in your own creations . you can also ask questions, solve problems and meet other Elements users in the book's dedicated website, http://www.howtocheatinphotoshopelements.com

Once you have mastered the techniques in this book - the only limit is your imagination!

David Asch is a freelance author and journalist specializing in Photoshop and Photoshop Elements image editing and manipulation.

Steve Caplin is a graphic artist, illustrator, and journalist who loves to create photomontages that blur the line between illusion and reality.

Note: Having trouble with the DVD? Visit http://www.howtocheatinphotoshopelements.com where you can find a link to download updated versions of the video files.

Work through each section to build up your Photoshop Elements skills, creating everything from basic layer and masking effects right up to advanced manipulation. Or just dip right into a project to learn a new technique:
* turn day into night
* add snow, shadows and water to your scenes
* make fire and smoke
* give your car a respray
.if you can imagine it, we can show you how to do it in Photoshop Elements!

About the Author
He is a beta tester for Photoshop Elements. He contributes to Mac Format magazine, and is co-author of Digital Photo Doctor and contributing author to Drop Dead Photography Techniques.

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Password: kurdsportal.com

Tuesday, September 16, 2008

Web Designers Guide to Adobe Photoshop book free download

Product Details
* Paperback: 400 pages
* Publisher: Wordware Publishing, Inc. (February 25, 2006)
* Language: English
* ISBN-10: 1598220012
* ISBN-13: 978-1598220018
* Product Dimensions: 8.8 x 6 x 0.6 inches

Product Description
Web Designer's Guide to Adobe Photoshop covers these topics and more. A one-stop source of web-specific production methods necessary to create well-designed, functional, and aesthetically pleasing web pages, this book provides readers with real how-to information on web design. You'll learn to build buttons, logos, web headers, and other web graphics, pull them into a web editing program, and even go live with your masterpiece. Whether you goal is to expand your professional skills or simply handle your local club's web site, Web Designer's Guide to Adobe Photoshop will help you create web pages and get them working properly.

Chris Tull, «Web Designer's Guide to Adobe Photoshop»
Wordware Publishing | ISBN 1598220012 | 2006 Year | CHM | 11.3 Mb | 400 Pages

While Adobe Photoshop is the standard application for editing images for print, its powerful features also make it useful for editing images placed on the Internet. Web Designer's Guide to Adobe Photoshop goes beyond an explanation of creating and editing images by focusing on the next step in web development: placing images and graphics into working web pages. Whether your goal is to expand your professional skills or simply handle your local club's website, this book will help you not only create web pages but also get them working properly on the World Wide Web.

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Photoshop CS3 for Forensics Professionals - George Reis

Photoshop CS3 for Forensics Professionals: A Complete Digital Imaging Course for Investigators has been released. At the end of this post is a link to a sample chapter.

Digital imaging technology has been used in forensics since at least 1992, yet there has been no practical instruction available to address the unique issues of image processing in an everyday forensic environment.

Previous books on imaging forensics did not reach beyond academic theory into everyday practice nor did they focus on Photoshop as the central tool. Photoshop CS3 for Forensics Professionals serves the everyday, real-world needs of law enforcement and legal personnel dealing with digital images (including both photos and video stills). It's an excellent tool for:

* Law enforcement personnel, from crime scene and arson investigators, detectives, and patrol officers to forensic photographers, fingerprint examiners, video analysts, tool mark and footwear examiners, and criminalists.
* Security pros in such fields as private investigation, insurance, fraud detection, and loss prevention.
* Scientific and technical users of Photoshop with workflows similar to law enforcement, such as medical photographers, research imaging experts, engineering and architecture staff, and industrial photographers.
* Staff responsible for maintaining a photo archive or printing images for court.

Photoshop CS3 for Forensics Professionals is the only book that provides specific answers for professionals in these fields to their imaging questions. Its the perfect resource for forensics professionals who want to move beyond the simple theory to learn the essential skills they need to do their job better and more effectively.

Part I: The Essentials is about setting up your workflow, archiving your images, and familiarizing yourself with Adobe Photoshop and Adobe Bridge, including the setting up of preferences. Also covered are the best practices in writing reports and providing courtroom testimony.

Part II: The Digital Darkroom teaches how to use Photoshop to accomplish what traditionally was done in the darkroom, from correcting colour casts to making prints and exhibits for courtroom use.

Part III: Image Analysis including various accident and crime scenes that readers can use to practice the techniques from the book while following along with the tutorials. It also includes several scripts, plug-ins, and actions that will enable readers to save time and work more effectively. The book includes a 32-page colour insert section, and Instructor's materials are available so the book can be used for workshops and training seminars.

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The Hidden Power Of Photoshop Elements 4 (2006) Free Download

Book Structure
Part I: Consider This Before You Commit to Project Server 2007
In this section, we lay the groundwork for the deployment of Project Server 2007. First we address the things that you should consider before embarking on the journey of implementing Project Server 2007 and its associated tools. This chapter helps to set the expectation that implementing Project Server will not deliver instant results, but rather will take some time to plan and test through an iterative methodology. This section also covers the new architecture of Project Server 2007, as well as its new features.

Part II: Plan for Your Project Server 2007 Implementation
In this section, we will discuss the implementation approaches you may take and the foundations that must be in place for your implementation to have the greatest chance for success. We include some examples of specific processes that may be useful for organizations that do not already have their own methods for performing similar activities (such as requirements gathering and prioritization).

Part III: Details on the Installation and Configuration of Project Server 2007
This section covers the installation of Project Server in various environments, the configuration of your newly installed system, and some of the administrative functions, including desktop deployment. This is the largest part of the book and includes fairly deep information about critical areas such as the security of Project Server in addition to data structure and flow.

Part IV: Project Server 2007 Maintenance
In this section, we discuss migration approaches that you may encounter as well as the fine-tuning of your EPM environment, and we briefly discuss options available for integrating Project Server 2007 with other systems related to your line of business.

Part V: Project Server in Action
This section consists of numerous chapters for reference on how to complete specific tasks in the EPM system based on your role in the system. Because we cover the way that each Project Server role interacts, we had no choice but to make assumptions on the way that the system’s options were configured. We based our assumptions on what we have seen in the field with Project Server 2007, as well as what we had learned from implementations of previous versions. There is also an overview chapter on resource management in Project Server.

As a bonus, an extensive chapter describes how to extend your Windows SharePoint Services (WSS) environment, which may have implications that reach beyond EPM and into the team and departmental workspaces of your organization. The section that follows our discussion of roles focuses on how to extend the collaborative area using WSS 2007 technologies. This chapter also has a section that discusses how to leverage the advanced features that are available in Microsoft Office SharePoint Server (MOSS) 2007. In our opinion, SharePoint collaborative features are too often underused in the Microsoft EPM toolset, so this chapter is pretty deep.

Part VI: Program and Portfolio Management
In this section, we discuss the different techniques used at the managerial level (and up) to understand how your organization is performing at the program level (a group of related projects). It also includes a look at using Project Server in an environment where Project Portfolio Management (PPM) is important.

Because we designed this book as described above, there will be overlap in some of the content. For example, it would be impossible to discuss the role of the resource manager without having overlap with the chapter on resource management. Likewise, Data Analysis views (reports), for example, have to come up in the chapters describing how to configure online analytical processing (OLAP) cube configuration (which data will be gathered for analysis), and when discussing the display side of that data (Manage views). The context of each chapter was used as the basis for determining how to approach this overlap, so here and there you will read very similar information. Remember that we want to support the “reference” concept––that is, to make it easy for you to go back to find information after the initial implementation.

One certainty is that every reader will have a unique experience deploying Project Server 2007, just as each one of our clients chose different paths. You must keep in mind that the success of any Project Server implementation will probably require a marriage of improvements from people, process, and technology perspectives. Organizations need to understand that a full-scale EPM implementation can touch every corner of their business. The benefits of such integration can be enormous, but the cultural change required to facilitate this integration is equally as great.

Gone are the days when your users could “prairie dog” over their cube wall to ask a coworker to complete a task. That task assignment and the communication surrounding it must now be facilitated through the EPM tools. Users must participate in the EPM system with consistency and in a standardized manner. An organizational entity should in most cases exist to create, evangelize, and enforce these organizational project management methodologies and standards. This entity is called many names––program management office, project management office, or Center of Excellence.

Typically, the success of an EPM initiative is judged by the quality of the organizational insight delivered by the reports in the EPM toolset. What is often forgotten is that the granularity and accuracy of the reports that EPM delivers is built by the granularity and accuracy of data that are fed into the EPM system. If your Project Center views (where each project is displayed at a summary level) are based on project manager estimations, you will have many fewer touch points into the EPM system, reducing culture change and overall complexity, but providing much less clarity and accuracy into your organization’s portfolio. If, on the other hand, your Project Center views are based on direct participation by the resources doing the work, required training increases, the number of touch points into EPM increases greatly, and the culture change is significantly greater. The payoff is invaluable, providing accurate and detailed insight into your organization’s capacity, load, cost, and overall health is invaluable.

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Thursday, September 11, 2008

Photoshop CS All-in-One Desk Reference for Dummies 2004 Free Download

About the Author
Barbara Obermeier is principal of Obermeier Design, a graphic design studio in Ventura, California. She’s the author of Photoshop Album For Dummies, coauthor of Adobe Master Class: Illustrator Illuminated, Photoshop 7 For Dummies, and Illustrator 10 For Dummies. She has contributed as coauthor, technical editor, or layout designer for numerous books. Barb also teaches computer graphics at the University of California, Santa Barbara, and at Ventura College.


Author’s Acknowledgments
I would like to thank my excellent project editor, Becky Huehls, who kept me and this book on track; Bob Woerner, the world’s best Acquisitions Editor; Andy Cummings, who gives Dummies a good name; David Busch, for his great contribution to the first edition; David Herman, Technical Editor Extraordinaire; Barbara Terry, who made everything I wrote sound better; and all the hard-working, dedicated production folks at Wiley. A special thanks to Ted Padova, colleague, fellow author, and friend, who always reminds me there is eventually an end to 40 chapters.

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Photoshop CS2 Before & After Makeovers Free Download

Meet the Author
Dr. Taz Tally is President of Taz Tally Seminars, a computer publishing, consulting, and training company. He is the author of numerous books — including Photoshop CS2 Before & After Makeovers, Acrobat and PDF Solutions, Avoiding the Output Blues, Avoiding the Scanning Blues (a Doubleday Book Club featured selection), The UMAX MagicScan Manual, and SilverFast: The Official Guide — and he served as a contributing author to The Photoshop World Dream Team Book. He has produced numerous instructional videos, CDs, and DVDs on scanning images, prepress issues, Photoshop, color correction, font man-I agement, and keyboard shortcuts, and was the instructor for the video train-I ing series DeskTop to Print. A frequent presenter at seminars and trade shows throughout the U.S., Taz is also a member of the Photoshop Dream Team — mainstays at the biannual Photoshop World conventions. He is also a frequent contributor to Photoshop User magazine, for which he writes a regular prepress column.

When he is not touring the country presenting his seminars, Taz generally heads off to the outdoors. One of those outdoor places he especially enjoys is his home in glorious Homer, Alaska, where he revels in moun­tain biking, kayaking and hiking, Nordic skiing, and nature photography with his Cardigan-Welsh-Corgi Zip. Taz has also been sighted skiing the powder snows in Utah, diving with the whales in the waters off of Hawaii, and prowling the terrains of the desert Southwest and Mexico.
Author’s Acknowledgments
A project like the Photoshop CS2 Before & After Makeovers book you hold in your hands is never accomplished by one person alone, so it’s no surprise that I have many people to thank for their critical help. First, I’d like to thank my agent, Matt Wagner of Fresh-Books, who was the spark plug for this project — I have him to thank for bringing me together with the Wiley team. I have come to value Matt’s insights and guidance very much. Matt . . . here’s hoping for many more projects together! Next, I’d like to tell Paul Levesque, the very capable project editor for this title, what a joy he has been to work with. As we put this project together, Paul was not only pleasant and capable, but also a good partner who was willing to work together to meet the various challenges that inevitably arise when tackling any new, from-scratch project . . . thanks, Paul! If this book is easy to read and understand, we can all credit Barry Childs-Helton, the gifted copy editor, who took my often contorted text and reworked it into far more readable and enjoyable prose. I also want to highlight Dave Herman, the tech reviewer, for not only making sure that I was accurate and consistent, but for providing many good content suggestions as well . . . this book is greatly improved from Dave’s additions. I also want to thank the Wiley design team for their initial design work and also their on-the-fly redesigns as this project evolved . . . armfuls of kudos to you! And of course credit for overall project man­agement goes to Bob Woerner, Wiley’s truly gifted acquisitions editor.

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Monday, August 25, 2008



Peachpit Press; 2nd edition (August 5, 2007)
PDF | 584 pages | English | 37mb(rar)


Real World Adobe Illustrator CS3/by Mordy Golding (Author)
Description
Real World Adobe Illustrator CS3 is the definitive reference to Adobe's industry-standard vector graphics software. With an easy, engaging style, author Mordy Golding takes readers through all of the features of the program, explaining not only how to use the multitude of features but also why and when to use them. This edition has been thoroughly updated for Illustrator CS3, including insightful techniques on using the new Live Color environment and its tools, a new Isolation mode for working on complex artwork, and new tools for drawing, erasing, modifying, and cropping graphic. New integration features with Flash CS3 are also covered in depth; for example, readers learn how symbols can be defined as movie clips for use in Flash.
Now that Illustrator and Flash are both part of several bundled offerings of the Creative Suite, this coverage is a key part of the entire uninterrupted workflow from initial concept to final execution.
Along with tips, sidebars, and expert commentary, there are also numerous illustrations and screen shots included to offer readers the most complete coverage on this extraordinary application. Designers from all fields--illustrators, animators, package designers, graphic designers, web designers, and more--will find Real World Adobe Illustrator CS3 their one-stop guide to creating powerful designs in Illustrator

Download Link:

http://rapidshare.com/files/138785166/ReqL_W0rld.Illustr_3__www.softarchive.net.rar

or

http://w14.easy-share.com/1701307809.html
 
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